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The Devil Prefers Mozart / Anthony Burgess. - [miejsce nieznane] : Lives and Letters : Legimi, 2024.
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E-booki
The Devil Prefers Mozart is the first comprehensive collection of Anthony Burgess's writings about music. In this extensive compilation of essays and reviews, he covers a vast range of musical topics, from the hurdy-gurdy to Beatlemania and the Sex Pistols, with Burgess's love of English music represented by writings on Elgar, Holst, and Delius. There are essays on Handel, Mozart, Beethoven, Berlioz and Wagner and other great composers from Monteverdi to Weill, as well as writings about Burgess's favourite performers, including Yehudi Menuhin, Larry Adler and John Sebastian. Whether whimsical ('Food and Music'), satirical ('Anybody Can Conduct') or controversial ('Why Punk Had to End in Evil'), Burgess's writing is consistently informative and entertaining. The music of Debussy sparked Burgess's musical imagination so powerfully when he was a boy in Manchester that he composed his first symphony at eighteen years of age and aspired to a career as a professional composer until his mid-thirties. Writings about his own music provides valuable information about many of Burgess's compositions, including his Symphony in C, his works for guitar quartet, and his opera Blooms of Dublin based on Joyce's Ulysses. Carcanet also publishes The Ink Trade, a companion volume of literary essays.
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Critical Essays / Ford Madox Ford. - [miejsce nieznane] : Lives and Letters : Legimi, 2012.
Forma i typ
E-booki
In 1911 some of D.H. Lawrence's poems and his story Odour of Chrysanthemums found their way, without his knowledge, to the desk of the editor of the English Review, Ford Madox Hueffer (later Ford). Ford was astonished and invited Lawrence to meet him, which the poet did with superb reluctance. Ford reinvents the meeting in 1937, recalling how, 'He had come, like the fox, with his overflood of energy - his abounding vitality of passionate determination that seemed always too big for his frail body.' Ford included the work in the English Review, talked up the new writer, and handed on his first novel, The White Peacock, to Messrs Heinemann. It is hard to understate the impact that Ford had on the literature of his age. His work as a magazine editor alone ensures him a place in the annals of Modernism; his patronage, his successful as much as his squandered aid - to Lawrence, Wyndham Lewis, Hudson, Pound, Conrad, Joyce, Stein, early Hemingway, Cummings, Rhys and others remembered and forgotten - is a huge chapter of literary history. As well as being an enabler, he was also a great critic, with the ability to read the present and re-read the past with independent vision. Series Editor: Bill Hutchings
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It Was the Nightingale / Ford Madox Ford. - [miejsce nieznane] : Lives and Letters : Legimi, 2012.
Forma i typ
E-booki
During a Christmas leave in London, Ford Madox Ford attended a party at the French Embassy, 'a heavy blond man in a faded uniform', wearied by years of war, recalled to a longing for the life of a writer. The evening marks the beginning of a new phase of Ford's life, the years of It Was the Nightingale. Ford evokes the literary milieux of London, Paris and New York between the wars with sparkle, wit and energy. Recollections range across time in a subtle and flexible narrative that fuses fiction and memoir. A memory of a dark January day in Paris, in the weeks 'between dog and wolf', when Ford read the news of the death of the novelist John Galsworthy, triggers an exploration of the transition from an entire pre-war world: a ghost had passed, writes Ford, and Nancy Cunard steps forward 'like a jewelled tropical bird'. Here is James Joyce, whom Ford found dull company with his 'thin little jokes'; Ezra Pound playing Provencal songs on the bassoon; Gertrude Stein driving through the streets of Paris with the solemn 'snail-like precision' of a Pharoah. Behind the vivacity other ghosts, too, are always present: men killed and damaged in the war, mental breakdown and betrayal, out of which Ford was to create his best-loved novel, Parade's End.
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Provence / Ford Madox Ford. - [miejsce nieznane] : Lives and Letters : Legimi, 2012.
Forma i typ
E-booki
Ford Madox Ford spent his last years in the south of France, near Toulon. In Provence (1935), written four years before his death, he explores both the place and the idea of it: 'not a country nor the home of a race, but a frame of mind'. Suffused with a northern European's love for 'the Roman province that lies beneath the sun', Provence evokes scents of rosemary and thyme in the dry air, games of boules amid shadows of ancient ruins, the food and flinty local wines. Part memoir, part travel narrative, part history of the region, Provence displays Ford's wise, beguiling curiosity. Humorous, informed digressions take in the Albigensian heresy, bull-fighting, a favourite recipe for bouillabaisse, Henry James and Ellen Terry, the Troubadours and much else. Over the gaiety looms the coming barbarism, the 'fixed bayonets, machine guns, uniforms and arresting fists', against which Ford's Provence is a fragile, precious hope for civilised values. This edition is based on the authoritative 1935 Lippincott edition and includes the original illustrations by Ford's companion, the outstanding American artist Biala.
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Return to Yesterday / Ford Madox Ford. - [miejsce nieznane] : Lives and Letters : Legimi, 2013.
Forma i typ
E-booki
Ford Madox Ford can never quite keep out of it. The more self-effacing he seems, the more his the writing becomes: scenes of preternatural clarity. 'Memory doesn't work like that,' said one critic. Well, Ford's does. 'Truth to the impression' was his aim. How it seemed, how memory took it in, is more alive than how it 'actually' was, whatever that means. Memory is for Ford as for Wordsworth re-creation. His memoirs have the authority of fiction because they are half way between fiction and fact. Return to Yesterday (1931), his most fascinating memoir, follows on Ancient Lights and covers the years from 1894 to the outbreak of World War I - his transition from privileged godson of the Pre-Raphaelites to the great Modern writer and editor he became. Here he evokes England at large, and London in particular, its literary community, the political world of anarchists (the world of his friend Joseph Conrad's The Secret Agent). If the Rossettis, Ford Madox Brown, Swinburne and Morris gave their blessing to his youth, it was Pound and Lawrence, Joyce and Rhys, who were blessed by his maturity. C.H. Sisson writes: 'Ford remains a profound influence on the poetry as on the prose of the century, for he found English literature poetical and left it spare.'
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God's Zoo / Marius Kociejowski. - [miejsce nieznane] : Lives and Letters : Legimi, 2014.
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E-booki
This book is the record of a journey through the world cultures of contemporary London. More specifically, it records a series of encounters with individuals who, although otherwise very different from each other, have three things in common. They are all displaced from their homeland or their origins. They have all become, in some sense, Londoners. And they are all, in their own fields, creative artists. Drawing on many hours of recorded conversation, but distilled with a poet's eye for form and for the telling detail, God's Zoo weaves its story from many stories, each chapter gaining resonance from the others. This is a book about many things. It bears witness to the difficulties encountered by people who have left behind not only a homeland but also family, culture and language. It is also a portrait of a city: London, as Kociejowski writes, is the main character even though it sits and watches silently for most of the time. Above all, it is a testament to the enduring value of art and creativity in human lives.
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Against the Stream / Frederic Raphael. - [miejsce nieznane] : Lives and Letters : Legimi, 2018.
Forma i typ
E-booki
Against the Stream is the latest volume of Frederic Raphael's acclaimed memoirs Personal Terms, an unrivalled parade of the author's eventful and provocative life, opinions and times drawn from his living and breathing cahiers and journals. 'Shrewd, funny, gossipy and elegantly written,' as Jeremy Lewis said in the Literary Review, these writings are as unguarded, sardonic and tactless as they are candid. This seventh volume relives Margaret Thatcher's first years in office. Raphael's wide acquaintance in the world of politics, literature, journalism and the movies gives him rare access to the character of those, in England and America, who dominated the times. The unintended result is a Proustian parade of people, famous and otherwise forgotten, and events momentous and strictly personal, presented by an unabashedly partisan, unblinking eye-witness. There is nothing else quite like this unfolding project in English or American literature. 'I am not a camera, but – as these carnets prove – I am a pen. The moving finger writes differently from the clicking keys.''In these notebooks, Raphael shows himself alert to every vanity but his own, a shortcoming that, far from repelling a reader, becomes part and parcel of the their fascination. He is one of those writers who most reveals himself in his acerbic anatomy of others' (Anthony Quinn, Telegraph).
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Last Post / Frederic Raphael. - [miejsce nieznane] : Lives and Letters : Legimi, 2023.
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E-booki
A The Tablet Book of the Year Last Post has a double life; it both sounds for the gallant fallen and recalls what spurred freelance journalists, in all those yesterdays before e-mail, to get their copy in the pillar-box by deadline time. Frederic Raphael's compendium, written in the lively equivalent of the French epistolary second person singular, is a rare mixture of loud salutes, occasional raspberries and affectionate farewells. Its intimacy delivers frankness that formal biography, however plumped with proper sources, seldom achieves. To John Schlesinger, '"Fuck 'em all dear," you used to say. And God knows, you did your best.'; Ludwig Wittgenstein saying 'What do you know about philosophy, Russell, what have you ever known?'; Cyril Connolly to William Somerset Maugham who was complaining about his lack of true lovers, '...then although the room was chilly, no one cared to poke poor Willie'; 'You bloody fool,' the first words said by a venerable professor to George Steiner. As the parade goes by, Last Post becomes what classicists call a 'prosopography'. Raphael's own versatility shows up in the varieties of tone and vocabulary in long letters of tribute to the two Stanleys Kubrick and Donen, Ken Tynan, Leslie Bricusse, Tom Maschler, Dorothy Nimmo the known and the less known but no less valued; finally, above all, in farewell to his beloved daughter Sarah.
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Smart Devices / Carol Rumens. - [miejsce nieznane] : Lives and Letters : Legimi, 2019.
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E-booki
A year of hand-picked poems and commentaries from the Guardian's 'Poem of the Week' blog. Carol Rumens has been contributing 'Poem of the Week' to the Guardian for more than a dozen years. Do the maths: that's more than 624 blogs! No wonder she has a large and devoted following. She's a poet-reader, not an academic. She is fascinated by the new, but her interest is instructed by the classic poems she has read. They make her ear demanding: when it hears that something, it perks up. She perks up. 'A poem is a small (or large) machine made of words.' Rumens partly agrees with Williams but she develops the conceit, seeing each poem 'as a more flexible instrument, a miniature neo-cortex, that super-connective, super-layered smartest device of the mammalian brain'. She tries to avoid poems built from kits with instruction manuals. She looks for surprises, and she surprises us.
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Mary Shelley / Muriel Spark. - [miejsce nieznane] : Lives and Letters : Legimi, 2013.
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E-booki
At the age of twenty, Mary Shelley secured her place in history by writing Frankenstein (1818), now acknowledged as one of the great literary classics. The daughter of radical philosopher William Godwin and pioneering feminist Mary Wollstonecraft, Mary Shelley lived an unconventional life dogged by tragedy. At sixteen she scandalised England by eloping with her married lover, the poet Percy Bysshe Shelley, but was widowed after only a few years of marriage. She went on to survive her husband by nearly thirty years and to support herself and her son as a writer. Here the great twentieth-century novelist Muriel Spark paints a portrait of a gothic icon. First published in 1951, this remarkable biography, reissued with previously unpublished material, recounts Mary Shelley's dramatic life, from her youth and turbulent marriage to her career as writer and editor. The young Spark, who would write The Prime of Miss Jean Brodie ten years later, discovered her vocation as a novelist in this study.
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The Golden Fleece / Muriel Spark. - [miejsce nieznane] : Lives and Letters : Legimi, 2014.
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E-booki
The essays, reviews, memoirs and other writings collected here for the first time conjure up one of the great critical imaginations of our time. Grouped into four sections (Art and Poetry; Autobiography and Travel; Literature; and Religion, Politics and Philosophy), they demonstrate the wide range of Muriel Spark's knowledge and interests, and throw into relief the people, places and ideas that inspired her throughout her life as a working writer. The book includes perceptive essays on literary figures including the Brontës, Robert Frost, T. S. Eliot and Robert Louis Stevenson; engaging accounts of visits to John Masefield, Edith Sitwell, and Louis MacNeice's home (in the absence of its owner); and reflections on the sermons of Cardinal Newman and the Old Testament book of Job as perennially rich sources of spiritual nourishment. The novelist's eye for the telling detail is evident in portraits of the cities - Venice, Rome, Ravenna, Istanbul - which Muriel Spark visited or in which she made her home. As Penelope Jardine puts it in her preface, this book tells many things'.T
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Alexander Goehr, Composing a Life / Jack Van Zandt. - [miejsce nieznane] : Lives and Letters : Legimi, 2023.
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E-booki
Alexander ('Sandy') Goehr is a leading British composer and teacher. Born into a Jewish musical family in Berlin in 1932, he arrived in England in 1933 with his father, Walter, a composer, conductor, and pupil of Arnold Schoenberg; and his mother Laelia, a trained pianist from Kyiv. Raised in Amersham, he attended Richard Hall's classes at the Royal Manchester College of Music. There he formed the 'Manchester School' – a group of young composers and performers including Peter Maxwell Davies, Harrison Birtwistle, and John Ogdon. He was introduced to Olivier Messiaen when his father conducted the first British performance of Turangalîla-Symphonie in 1953, and he later studied with Messiaen and Yvonne Loriod in Paris. In the late 1950s and early '60s Goehr became known as a radical exponent of serial music. Since then, he has composed more than one hundred major works, including operas, orchestral and chamber pieces, and music for film, television, dance and theatre. He is Emeritus Professor of Music at Cambridge University and one of Europe's most important music educators. He has written and lectured extensively and his music is performed all over the world. Jack Van Zandt (b. 1954), an American composer and Goehr's former pupil and assistant, has co-written this first comprehensive account of the life, creative foundations, and teachings of this great composer.
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